The Permanent Collection
A rotating wall of the fridge. Click any piece to study it above; shuffle for a fresh wall. The committee (Mom) hangs new work daily.
Where Your Parents Put It
Rarity is measured the only way that has ever mattered: display location. Computed from the full trait census of all 10,000 pieces.
Above all five: 26 legendaries, displayed at Grandma’s House, the highest honor known to art.
The Alphabet of Grails
Twenty-six one-of-ones — one for each letter of the alphabet, which the artists are still learning. Includes “A POLAR BAER IN A SNOSTORM” (he is right there), “THE ONE THE DOG ATE” (forty percent remains), and “I DREW ON THE WALL AND IM NOT SORY” (site-specific installation).
Fully On-Chain, Actually
The entire crayon — the wobble physics, the handwriting font with its backwards letters, all twenty-one subjects, the paper, the fridge, the glitter — is one JavaScript inscription (~106 KB). Each of the 10,000 MASTERPEECES is a ~420-byte child inscription that names its number and asks the engine to draw it. Recursive inscriptions: the collection weighs about as much as four photographs.
Every child is inscribed as a provable descendant of the engine, so provenance is literally a family tree. Click any piece to flip the paper — some backs hold tic-tac-toe games, teacher notes, a price tag of one million dollars, or the words 4 MOM DO NOT SELL on an object whose entire purpose is being sold. The artists know what they did.
<!-- an entire MASTERPEECE, verbatim --> <!doctype html><meta charset=utf-8> <title>MASTERPEECE #4821</title> <script src=/content/<ENGINE_INSCRIPTION>></script> <script>MP.draw(4821)</script>